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We feature some of the very best writing from inside the  Shed, here on our front page. These are pieces that have earned wide approval and have been workshopped within 'The Lab', part of the Book Shed Forum.

 

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Category: Approaching an agentSyndicate content

Writing a Synopsis

Writing a synopsis is often seen by authors as being the hardest part of putting together a package and submitting your work to agents and publishers. It doesn't have to be dull, if you take some time to plan your approach and edit/rewrite it with the same passion you apply to the novel itself.

E-Mail Pitch Letters

The phrase 'time spent in reconnaissance is seldom wasted' has been attributed to various figures throughout history, but when it comes to getting ready for submission to an agent, it couldn't be truer.

Dialogue Punctuation

Punctuation for dialogue is something that beginner writers often get wrong.

Commas and Colons

If you're ready to submit your manuscript to an agent, make sure it is in the best possible condition. Check it for typos, for spelling errors and above all else for correct grammar and punctuation. Three common areas for mistake are the use of commas, semi-colons and colons. So this document  is provided as a refresher.

Formatting a Synopsis

You do not need a title page for the synopsis, your contact details go in the covering letter, and the novel’s details go on the same page as the synopsis. Start by putting the following information in the top left-hand corner of the page.

Formatting a Manuscript – a few basics

Most editors, agents and publishers ask for submissions in an easy to read font. They are not impressed by fancy fonts or strange colours. Using them may make your submission stand out, but not in the way you hope.

INTERVIEW: What I'm Looking For - by Julia Churchill, Literary Agent

Julia ChurchillAs an agent there are always trends to be aware of and speculation about the next big thing. It’s part of our job to have a constantly updated overview of what’s bouncing and what’s going splat.

Most agents will know about up-coming ‘holes’ in publishers’ lists and the particular tastes of editors. How’s ‘gross out’ humour doing? Is science-fiction the next big thing – and what’s happening with the graphic novel? This publisher is looking for a girls’ series for 9+ and I know this editor is keen on edgy teen.